Friday, 2 November 2012

A Rush of Blood to the Head


Author: Medha Kapoor

Author Introduction: The first thing you need to know about me is that I suck at introductions. Second, I'm extremely lazy. So let's make a short affair of this. I am student of Civil Engineering ( not willingly, of course). I write simply becaue it makes me happy and it is the one thing I can do without feeling stressed. I love to read. Sound intense enough? No? Let me re-phrase it. I live to read. I am big fat book-nerd. I am also shy and awkward. My inspiration for life is Dr. House of House, MD. I am obsessed with my dog.http://medhakapoor.blogspot.in

Story:
It is a warm morning in the middle of September. I am lying on the floor, watching the rays of the sun seep in through the window, lifting and turning and twirling the tiny little particles it came upon…
‘Mr. Brawlerrr’ rang a sing-song voice. ‘What?’ I growl, turning to look at the person interrupting my reverie. It’s Vincent, the most twisted white piece of shit you’d ever come across. ‘You have a visitor,sir’, he leers, the sides of his mouth twitching just a bit. 

I scramble to my feet and walk to the door, holding up my hands so he could cuff me. I could've just as easily wrapped them around that thin neck of his and cracked it into two but I was just not in the mood for that today. Instead, I submissively walk down the dark corridor, glancing at the cells that came across the way, housing the most notoriously infamous residents of the Arlington State Penitentiary.
..
An elderly woman, wearing a long shabby cardigan over an equally shapeless dress stood waiting for me at the counter.
'...Billy, my child! I'm so glad to see you...' the showers of love started as soon as I place the receiver on my ear. ‘As good as ever grandma! Shouldn't have bothered to come in your condition and all…'
'How could I've not? It's your special day after all, ain’t it?' She had baked me a cake. It had my favourite icing too. I thanked her and chatted with her till that leech came to take me back.
‘And what do we have here?’ he said, snatching the box out of my hand. Bad move. Towering over his menial 5'8", I drove my elbows in the back of his head. This got us into a scuffle right in the middle of the hallway, which was a good thing for me as it got us the attention of the supervisor.
'The hell is goin' on there? Vincent give that homo bastard his lunch box and get him out of here!'
Oh, and Vincent, get yourself some brains too, piece of white refuse.
..
'What's for dessert Billy? Where that cake of yours go?'
‘Bet it’s got weed in it'
‘You can't get that kind of shit past those sensors, you moron'

My buddies in prison, Luke, Shaq and Steve had got themselves all worked up about the contents of my package at lunch time. Even the other inmates were looking at us curiously. 
'There's none left fellas. Big billy got a big stomach'.
I got up to keep my plate at the sink, but found Bruce retching in it.

'You carrying my baby Bruce? aww'.
My cronies jeered and laughed as I gave Bruce's behind a nice spank.
Bruce was my bitch in here. When I first heard he was HIV positive too, I assumed he was homo. But when he turned down all advances made by me, I just had to take him by force. The inmates helped me assault him, better him than them, they figured.
..
From five to seven in the evening, the inmates were hauled for specialized programmes like religious service, gym, carpentry and so on. Two hours of recreation time to help us channelize our rage and reach to our inner self and all the bull-crap these psychologists dream up. I was directed to the library along with my gang. My decision to spend recreation time in the library had come as a shocker to all, apparently I was the only dangerously evil mass murderer who was interested in reading. But then again, I was not always bad. I was once this famous boxer competing for the state heavyweight title. I got into a brawl with a group of men in a bar and ended up killing three of them. I can't explain how I became this man. It's just that sometimes I get so angry. Like that green monster you see in the movies.
'Hey look Billy, we got you your play thing', the prison guard smirked throwing Bruce through the door of the library. Bruce normally went to the gym but looking at the condition he was in today, I was not surprised to find him in a place that did not require lifting iron. He looked at me with hostility and wandered off to a corner. To think that this wuss of a man, who couldn't even keep his hole protected in what were probably the last days of his sorry life, killed his wife by smashing her head in with a baseball bat is ridiculous. I'm sure someone's paid a hell of a lot of money to keep him in here. Anyway, that's not for me to speculate. Who's to say what's right and what's wrong. Life isn't fair. I turned to my business. 
‘It was no cake, you shit-heads’, I whispered to my men once I was sure Bruce and the guard were out of earshot. ‘And for the record, she wasn’t my grandma either’. Steve gave me a meaningful look as Luke and Shaq continued to look demented.

‘Whaddaya mean she wasn’t your-‘
‘Shut the fuck up Luke and listen to me’, I glanced around the library to make sure nobody was eavesdropping on us before feeding them the details. We had no plans of rotting on in this hell hole, which was why we had been working on an escape route- a tunnel in the library washroom since the past four months. It had all started when poop got stuck in one of the pipes there and the plumbers that came into repair it worked up a huge bill. Now, our Steve here is a very handy man. When he volunteered to fix the system the next time it broke down, the guards agreed to it without a question. After all, he was white and had always managed to stay in their good books. The idea of Steve having access to plumbing tools got me thinking. I may not have a college degree but I'm smart. I got Steve to hide some tools and that’s how we started on the tunnel. Every day, inch by inch, we were advancing on our pathway to freedom. Today, I procured our final weapon. HMDT- hexamethylene triperoxide diamine, a chemical explosive made from readily available household ingredients. Once we get inside the tunnel, we would use this explosive to seal the entrance so that Vincy cannot come looking.

We made our way discreetly to the toilet and slipped inside, one by one. Steve had already unscrewed the sink and removed the tiles covering the entrance to our handiwork when I got in. Shaq came in last, locking the door behind him. Steve was already inside the tunnel and Luke was gearing to go when we heard a loud bang on the door.
‘Open up! I’m gonna throw up’
I groaned. Why did this dick have to be here today of all days?
' Fuck off!”
'Open up, you animal!'
'Get lost, whore'
'Shut up both of you!’ It was the guard. Holy crap. The situation was getting out of hand, there wasn’t enough time for all of us to escape now. I motioned to the guys to get out of the hole and set the stuff right again. I hurried to the door and threw Bruce in. He went straight to the pot and threw up. The guard went back to his couch and book. Damn! We were so close!
'What in fuck's name is going on in here?'
Bruce looked at the lopsided sink and then at our perspiring faces. 

‘None of your goddamned business!’ 
'I know what you're trying to do'.
 Fear gripped me. It is one thing to lose your secret, but to lose it to the one person you've been traumatizing for the past six months, that's self-destruction. 'Look, Bruce, don't do anything stupid or I'll beat the living hell out of you'. Aggression. ‘I am a dead man already'. Oh, right, he was getting executed in two days. 'Come with us'. He looked away. 'Bruce, come on, don't rat us out, what you gotta gain?’ He looked at me with a mixture of disgust and anger before walking away.
I spent the night in hell. Cold fear running down my spine, paralyzing me. I was expecting the guards to burst in any moment. I did not talk to Bruce again after leaving the library. I did not know what route to take, how to reason with him. I tried weighing all the choices he had. He could rattle to the guards. That would feed the hate he felt towards me and restore some of the self-respect I'd helped destroy in him. One cruel act of fate and he had got me, his tormentor, pissing his pants. Or he could use the information to blackmail me, take a swing at me- rape me, perhaps. That could be his death wish.
He could stay silent, of course, considering ratting me out won't do nothing to change his death sentence. But I had raped him. There was no way he was exiting without making me suffer. I wondered what would happen to me if they found out. Would that speed up my execution process? Or would they put me through some extensive torture ritual? The latter would suit their sadistic personalities better.
There was another option. He could join us, escape from prison with us. That could make up for the raping and stuff. But what does he have to go out for? No wife, no kids. HIV positive, gonna die in a few months anyway. Unless, there was some unfinished business. I knew he hadn't killed his wife, but whoever did, is probably still roaming out there while he suffers. Was Bruce the kind of guy who would be interested in revenge? I couldn't say for sure, he seemed to have given up on living long back.  His wife was a whore, the real one who actually gets paid in money. In all likelihood, she had given him the AIDS.
I had to incite him for revenge. But I had to choose just the precise moment and attitude for it. I had to do it just in time for the execution of my plan, to make it all the more difficult for him to resist the temptation.
..
Bruce did not as much as glance at me during breakfast next morning. He was in a world of his own, cocooned far away from his surroundings. It was driving me insane. I just couldn't guess what was going through his mind.
Once back in our cells, I hear noises coming from the direction of his cell. I rush to the door. Bruce is talking to Vincent but I can’t make out a word of what they are saying. Bruce’s tone sounds urgent. My insides turn to liquid as I see Vincent approach my cell. The sound of my thumping heart deafens me as Vincent cuffs me and enters my cell. He starts beating me with a cane. I cry out, my fists balling up in rage. But there’s no use resisting now. I am locked up in this jail for a long time now. Bastard got me in the end. Suddenly the beating stops. I look at the maniac and he spits on my face. Then he un-cuffs me and walks out the door. 
'I'll send someone with your meds Bruce. Hold that shit in', he shouts as he disappears down the corridor.
What the hell was that?
..
Two hours later, in the shower, I see Fat Gibson trying to force his fat cock down Bruce's throat. His face is badly bruised and there is blood flowing down his temple. Another person is pinning him down. I stand there, unsure of what to do. What if we blokes could just kill Bruce here, suffocate him or something? Won't make no difference to them police folk, would it? Would get the execution sin off their head, if anything.

A blood curling scream breaks my thought process. Bruce bit fat Gibson! A fight breaks out but it's like a dormant monster inside Bruce has just unleashed itself. He is kicking and fisting everything within his reach. He disengages himself from his tormentors and walks away, limping. Just as he is about to reach the door, he comes towards the place I’m standing and spits on me. I am on him in no time, punching his skull as he lands blow after blow in my gut. The rage possessing me is indescribable. I am hitting to kill. But the guards rush in start caning every part of our bodies they can reach. They manage to separate us.
‘You bloody impotent man, no wonder your wife screwed around for money. I only screwed your anus, while that man out there, he’s screwed your entire fucking life’.
..
‘So you want to spend your last evening in this world in the library, eh?’ the guard chuckles as he lets Bruce in through the door. He looks at me with an indiscernible expression and walks off to a corner.
I glance around at my mates. ‘I reckon you should go and talk to him, find out what he’s thinking’, Steve says. I get up and walk towards Bruce. He’s looking at me. He’s waiting for me.
‘Can you arrange a weapon for me once we get out there?’ he whispers as soon as I get close enough.
I look at him, take in the resolve in his eyes and can’t help beaming at him. He has made the right call, after all.
‘Sure thing, Bruce’‘Can I trust you?’
‘Yes’
‘How do we go about it?’
..
He said I'm gonna buy a gun and start a war
If you can tell me something worth fighting for
Oh and I'm gonna buy this place, that's what I said
Blame it upon a rush of blood to the head
And honey all the movements you're starting to make
See me crumble and fall on my face
And I know the mistakes that I made
See it all disappear without a trace

7 comments:

  1. Another one from Billy’s perspective! Nice!
    “lifting and turning and twirling the tiny little particles it came upon…” - brilliant personification of the sunlight. Very poetic.
    ‘Mr. Brawlerrr’ rang a sing-song voice - Should that be sang? Or was it really meant to be rang?
    The first piece of the story is all happening in the present. I am lying, I growl, I scramble my feet and walk to the door? Abruptly, once Grandma leaves, it switches to the past? Why the change in tense?

    The premise started out very well, truly enjoyed the dialogues, really thought its his Grandma, his mean streak was very well documented, loved the twist about the Grandma, you’ve done some research about the explosives! Though I still have my doubts about how he smuggled that in - don’t even eatables from visitors get checked? But we can skip around that one for now. The first 1/3rd of the story right up to ‘better him than them, they figured’ was very fast-paced, kept me wanting to know more. That is a very smart choice of words by the way.

    Following that, with the tense change, it was like all that had already happened. But even then, the narration was decent, there was a electric charge in the air, making me upbeat thinking about what’s going to happen. You build suspense well. The build up about Bruce finding out about their escape plan, Billy’s thoughts about what would happen to their plan or if Bruce rats out, his contemplation on whether Bruce should be included, good line of thought for Billy. You have described his inner fears very well. The final conclusion that Billy needs to incite Bruce for revenge is a very good move. Well thought of. Writing from Billy’s POV would have made this part tough. Because Billy would never know what’s going on in Bruce’s mind but he would need to convince Bruce to not rat him out and the only possible way in this setup might be to convince him to come along for a reason which Billy would also need to provide.

    But beyond this point, I feel like everything happened at once - too much too fast?
    I’m a little overwhelmed. But maybe its just me. Honest. I do not want you to form any opinions based on just my review, but I would also like to hear what the others think. Reading the rest of it, if I had been writing this, it would have been like I penned a free-flow, no controls fiction piece but didn’t attempt to polish it or fine-tune it later. The thought process is still good, don’t get me wrong, the story ties in well, I just wish the narration and dialogues had been crispier and more addictive/holding my interest like the first half did. Its almost as if two different people wrote this in parts. Again, in the last 1/3rd of the story, the tense changes again. ‘Once back in our cells, I hear noises coming from the direction of his cell. I rush to the door.’ Why? You do have almost half the word limit left, this story in itself doesn’t need 4000 words, you’ve etched it well, but with some more editing and fine-tuning - you could have said so much more with less!

    ReplyDelete
  2. Also, there seems to be a slight contradiction in Billy’s thoughts about whether Bruce killed his wife or not. In the first section, you (Billy) wonder if Bruce has the balls to have killed the girl. In the later section of the story, you say that you know that he hasn’t killed his wife.

    I still didn’t get what was the Bruce-Vincent part about - where Billy hears noises from his cell - Vincent cuffs Billy and beats up - didn’t get it. Again, maybe its just me. Did you mean to say that Bruce did all that so he could have a shot at talking to Billy about getting in on the escape plan? But then Billy says he sees Bruce two hours later. That’s a hell of a gamble for Bruce to take. Again, didn’t understand the need for Fat Gibson’s nastiness there. That brings up an interesting point. Quite a bit of meanness, dirty words and squeamish scenes written. Though I personally feel that a couple might not really need to be in there (like Fat Gibson) but overall, a very good effort for being able to portray Billy’s sadist qualities. I am sure this must have taken you way out of your comfort zone.

    As we see the fight winding down, Bruce comes spits on Billy. And then Billy knocks him out with that truth. Hell of a way to egg him on, Billy knows he has him hook-line-and sinker! Good one! But that again brings me back to my question. So the whole scene leading to this fight - starting with Vincent - was that orchestrated by Bruce? Or by Billy? Billy seems to be unaware of what happened with Bruce/Vincent and why Vincent bit him so I am guessing Bruce did. But if he did, we don’t see him doing anything ahead. Its only when Billy tempts him, he takes the bait and then joins the gang the next day.

    Overall good work. Rocking start, decent narration, a little rocky on the finish.

    ReplyDelete
  3. Hey, there, will have to do this in sections

    Section 1

    Nice dreamy opening. The first two paragraphs almost lulled me into thinking that this part of the story was set in the future after Billy had escaped from prison, and he was relaxing somewhere, with Vincent being an irritating assistant thug or something. Then you reveal Vincent to be a guard. Nice.

    I could've just as easily wrapped them around that thin neck of his and cracked it into two but I was just not in the mood for that today. Instead, I submissively walk down the dark corridor, glancing at the cells that came across the way, housing the most notoriously infamous residents of the Arlington State Penitentiary.

    Nice, I like these two lines. The first because it offers the reader a peek into the wry humour that the author is capable of wielding, and this creates a rapport between the writer and the reader. The second line I like for the grandiose, almost theatrical announcement of the setting of the story in the Arlington State Penitentiary.

    Oh, and Vincent, get yourself some brains too, piece of white refuse.

    Nice. Just a little line here offers so much insight into Billy’s mind. Also,
    I like that you have taken the time to sketch grandma’s clothes. I am tingling with the delicious anticipation to find out whether the helpless grandma is something like Ma Baker, who has hidden a little surprise in Billy’s lunch box. Probably not! We will find out.

    'You carrying my baby Bruce? aww'.

    At around this point, I noticed that the tense is changing. Could we have done the entire story in the present tense, with little flashbacks into the past if required?

    The inmates helped me assault him, better him than them, they figured.

    Pure meanness, your Billy. Flawless sketching so far.

    It's just that sometimes I get so angry.

    Nice.

    To think that this wuss of a man, who couldn't even keep his hole protected in what were probably the last days of his sorry life, killed his wife by smashing her head in with a baseball bat is ridiculous. I'm sure someone's paid a hell of a lot of money to keep him in here. Anyway, that's not for me to speculate. Who's to say what's right and what's wrong. Life isn't fair. I turned to my business.

    Where did you learn to write such awesome narratives Medha? And why were you bull-crapping me on FB about being afraid of my critique!?

    ‘And for the record, she wasn’t my grandma either’.

    Couldn’t help laughing here. Grandma was Ma Baker alright. Her loose clothes aroused my suspicions. Pleased.

    Moving on, very ingenious way to actually explain how the prisoners got to digging the tunnel, which no one has done in the entries I have commented on so far. Also, the HMDT must have taken a bit of research, or atleast some intelligent TV viewing. It is a topic that is often touched upon in movies with a spy thriller/covert ops/military setting and for you to actually use it in the tunnel is a stroke of pure genius. I also like the tone of the narrative employed. Very unapologetic, rough and devoid of positive emotion. Good.

    ‘Open up! I’m gonna throw up’

    ' Fuck off!”

    'Open up, you animal!'

    'Get lost, whore'

    This exchange of dialogues is precisely what I was looking for. I pointed out in atleast two entries how the dialogues lacked conviction because they were happening too easily, without any sort of conflict. Those kind of dialogues don’t happen in prison settings. Here is a good example of the push and pull kind of dialogues that work in conflict situations.

    ReplyDelete
  4. Section 2

    'What in fuck's name is going on in here?'

    Bruce looked at the lopsided sink and then at our perspiring faces.

    Again, I use this a lot myself. The dialogue happens first, which briefly throws the reader off guard and then the action follows, which sets right the doubts in the reader’s mind. It makes the reader feel clever, and that is good for the business.

    Fear gripped me. It is one thing to lose your secret, but to lose it to the one person you've been traumatizing for the past six months, that's self-destruction. 'Look, Bruce, don't do anything stupid or I'll beat the living hell out of you'. Aggression. ‘I am a dead man already'. Oh, right, he was getting executed in two days. 'Come with us'. He looked away. 'Bruce, come on, don't rat us out, what you gotta gain?’ He looked at me with a mixture of disgust and anger before walking away.

    Again, excellent paragraph, and one which successfully ‘embeds’ conversation within the narrative, something that is hard to do. Also, I think this paragraph is a must read for all the participants of this edition for a look at the realistic, true-to-life dialogues employed. Billy’s first response is aggression, and then an offer to Bruce to escape with them. That is how it should play out and not Billy directly offering Bruce a chance to escape. Emotions are complex in real life, and they should be complex in fiction as well. Another pointer to this would be C. Suresh’s entry where Bruce flies into a rage when the hooker dies, when he had been previously angry with her suspecting her of giving him the disease.

    Cold fear running down my spine, paralyzing me.

    This sentence seems incomplete somehow. Is it the tense? Could we use “A cold fear crawled around in my belly (alright, alright “ran down my spine”), leaving me paralyzed.” Even my version doesn’t cut it. What can we do to make this line better? This line won’t get past an editor.

    One cruel act of fate and he had got me, his tormentor, pissing his pants.

    Do we need the “got” in the first line?

    Or he could use the information to blackmail me, take a swing at me- rape me, perhaps. That could be his death wish.

    I chuckled at the “rape me” part. Billy seems to be wary of all his bad Karma returning to haunt him? Nice layer.

    He could stay silent, of course, considering ratting me out won't do nothing to change his death sentence.

    Could we have used “wasn’t gonna do nothing” here?

    Would that speed up my execution process? Or would they put me through some extensive torture ritual? The latter would suit their sadistic personalities better.

    Nice, further development to that extra layer I pointed out in the “rape me” part.

    I knew he hadn't killed his wife, but whoever did, is probably still roaming out there while he suffers.

    Why present tense?

    I had to incite him for revenge. But I had to choose just the precise moment and attitude for it. I had to do it just in time for the execution of my plan, to make it all the more difficult for him to resist the temptation.

    Nice back-story development preceding this paragraph. And these three lines above had me drooling on account of the superb insight it provided into Billy’s thought process.

    Once back in our cells, I hear noises coming from the direction of his cell. I rush to the door.

    Moved to the present tense with this paragraph, in a neat snap with the tense hitherto followed. This is a very terrifying scene. Nightmare scenes too must be done in the same way.

    ReplyDelete
  5. Section 3

    What the hell was that?

    That’s what I am wondering too. What the hell just went down? Gotta read on to find out.

    Would get the execution sin off their head, if anything.

    Third person rape scene. Good touch. I hadn’t thought Bruce was everyone’s whore at the prison. In the line above, we could rephrase it as “would get the sin of execution (or murder) off their heads, if anything” Sounds better? Yes? No?

    A blood curling scream breaks my thought process.

    The words “thought process” don’t “feel” right, in the context of the language that you have used hitherto. Of course, this is a matter of taste or preference, but I felt a little jar there when I read it.

    He is kicking and fisting everything within his reach.

    Punching, scratching, hitting, shooting, ripping, shredding, anything instead of fisting, since the latter is too commonly a word employed in the porn industry and wouldn’t get past an editor these days.

    I am on him in no time, punching his skull as he lands blow after blow in my gut.

    Ferocious. Nauseating, insane, prison fight scene. Reminds me of the apes fighting in the Rise of the Planet of the Apes. Wherever you are drawing the material in your imagination from, I want in.

    He looks at me with an indiscernible expression and walks off to a corner.

    Nice suspense. I really like it that Bruce isn’t opening his mouth and is waiting for Billy to approach him, since he has the upper hand.

    I look at him, take in the resolve in his eyes and can’t help beaming at him. He has made the right call, after all.

    ‘Sure thing’

    ‘How do we go about it?’

    In the ending, take a look at the minor edit I have done. Do we really need Bruce and Billy to ask each other if they trust each other? Does this ending feel a little crispier? What could you do to eliminate those two lines about “trusting” to pack in a little more punch into the ending?

    Did you write the poetic lines at the end?

    To sum it up, this is an excellent entry. I had to really struggle to look for places where I could suggest re-writes or edits, and rest assured the package you have submitted is already excellent. I only have a few questions.

    If Bruce’s aids infected status is not a secret from Billy, why isn’t Billy concerned anywhere in the narrative about whether he has aids after raping Bruce? Also, other prisoners would avoid Bruce like the plague if they knew of his AIDS infected status, instead of raping him. That is the only inconsistency that comes to my mind. Also, could we have done the entire story in one tense? Plus, I could only get a vague idea of what happened in the scene when Vincent beat up Billy. Maybe a little extra detailing on that plot element would help me avoid guessing what happened.

    Moving on to the positives, superb narrative which let me hop, skip and jump in the garden that is Billy’s evil mind. Flawless conversations and I really really felt like I was listening to prison inmates talk. Very well executed scenes of violence, some of it seemingly mindless, but necessary to authenticate the prison setting. Could we have had more detailing of the routine life in a prison too? A rich cast of characters, who do not dilute the main characters. Bruce comes across as a brooding, intense, silent man, which is how a lot of my heroes are, and therefore, reflecting my bias, happens to be one of my favourite Bruce’s in this workshop. Your Billy is not insane, but shamelessly selfish, thinking only about himself, even if it means contemplating murder to smooth his passage through life. Plus, bonus marks for the consistency in narrative tone. Also a third party rape scene which effectively conveys Bruce’s brutalization, which has also, quite cleverly, let you escape sketching a first person POV rape scene. A superlative effort. Take a bow.

    ReplyDelete
  6. Thank you Deepa and Sandeep for the critique.
    This is going to be a long reply.

    Let me start with the poetry in the end and the title. The lines are taken from a song by Coldplay from the album by the same name(A Rush of blood to the head). The reason I chose these lines and this title was because I like to experiment with and speculate about the basic human instincts (or animal instincts, if you may). That is what I tried to play with in this story- the random events of violence, the random offerings of chance and the instinctive reactions of the characters.

    Okay, now to the specific stuff:
    1. 'Mr. Brawlerrr’ rang a sing-song voice- I think it should be rang here because sang won't make any sense either, it's already a sing-song voice. :D

    2. I am extremely embarrassed about the mix-up with the tenses. This is what you get for ignoring the red grammar book for years. I'm going to sit with it and work out the proper tenses to be used.

    3. Remember the time post the London blasts when terrorists were suspected to be smuggling explosives in food? I know it's far-fetched, but, hey, Billy here is smart. :P

    4. I tried to build Vincent as a sadistic prison guard, who enjoys the power he has over the inmates. In the beginning, Billy gets away with beating Vincent and that has to enrage Vincent. The beating he gives to Billy later is revenge for that. I guess I should have put that justification in somewhere and not left the suspense hanging.

    5. The scene with Fat Gibson was put in there to show the sudden change in Bruce's personality- the refusal to take more abuse, the breaking point. If it seems unnecessary then it means that it has not been portrayed as well as it should have been.

    6. The finish could have been better. I was out of ideas on how either one of them should be feeling and I left Mr. Brawler smiling of all things. Eh.

    ReplyDelete
  7. Continuing..

    7. The HMDT just took a little bit of googling. Funny how you can find everything you need to know about making explosives at home all over the internet.

    8. The dialogues just happened instinctively. I was very scared of the reaction they'd receive when I was putting this up. I'm glad you liked it. My father is going to cut off my internet connection when he reads them.

    9. 'Cold fear gripped my spine, paralyzing me.' Sounds better?

    10. 'Would get the sin of execution off their heads, if anything'. Definitely better.

    11. I took it as a given that Billy had AIDS, too. I should have mentioned it somewhere in the story too.

    That seems to be all.
    I know I'm too late with this reply but it has been rotting on my hard disk ever since I read the feedback. It would've been up earlier had Blogger not been conspiring against me. Thank you, once again, for appreciating my piece and judging it worthy enough to be in the top three. :)

    ReplyDelete

We love polite people but it is not necessary to be so polite that you will not even point out where we go wrong :) Please feel free to voice your constructive criticism.